Monday, March 7, 2011

2001: Detailed Friday Update, 2/2/01

PREVIOUSLY ON AMC

A tearful Greenlee to Leo: "Do you really think I needed to know that my parents have been stealing from me? You're an idiot, Leo! You just don't get it!"

Jake to a hospital-gowned Gillian: "The timing doesn't lie. This has to be my child, Gillian."

Leslie to a pensive David: "Get me more of that drug, David, or you will lose EVERYTHING, including the delightful Dixie Martin."

Tad to a silent Dixie: "Did you sleep with him again tonight?"

[First, let me just say that I LOVED Liza turning the tables on the hypocritical, adulterous Dixie]

THE HOLY PATERNAL MARTIN SHRINE

Tad is apparently staying at Joe's house. He answers the door to find Dimitri and Edmund at the door [this HAD to fall on a FRIDAY?] They want to talk to Jake, but Jake isn't home. [The brothers grim look like a couple of bulldogs. I think Dimitri has a chain dangling from his right side, possibly from his choker, which come in hand in the Marick clan] In response to their queries, Tad tells them he and Dixie are having problems. Dimitri says they should be able to work out their problems. Tad says he wouldn't be too sure about that with Hayward slithering around out there. Dimitri, ears ever pricked for info about finding Alex, is startled and wants to know what Hayward has to do with it. Tad says David and his Libidozone are responsible for landing him in his parent's guestroom. He'd give anything to connect David with what happened on Ryan's yacht that night. Edmund tells him that they CAN connect him to the Libidozone. Dimitri kicks in that they have the shipping order from Carlquist Labs in Switzerland, addressed to David Hayward. Tad asks them to help by showing the order to Dixie to make her see who and what David really is.

Tad asks if they aren't going after him. Edmund says that so far they only have the shipping order. Tad wants them to shove it in his face and see what he says. Dimitri tells him that they already did that. David claims he DID receive the drug, but that it was stolen before the party. Tad says he's lying. Edmund says that David swears he was only using it for research, but he stopped the experimentation when Alex objected. Tad says he didn't stop for ANY reason -- he was using that drug for one reason and one reason only -- to get to Dixie. Dimitri agrees and says that Alex got caught in the middle. She must have seen David do something suspicious at the party and he made sure she disappeared. She's been gone for weeks now and they don't have a clue as to where she is. [Weeks? Try MONTHS. Usually they refer to time the other way around.] There's a knock at the door. It's Dixie, who is apologizing for the night before. She sees Edmund and Dimitri and, abashed, greets them. She says she didn't realize he had company and makes a move to leave. Tad stops her and says that the brothers grim have very important info about her friend, Dr. Hayward. She's GOT to believe him -- David is NOT the man she thinks he is.

Dixie closes her eyes briefly and says she didn't come there for his latest theory about David. The brothers grim leave, asking Tad to tell Jake. Dimitri is wearing what he probably thinks is a tactful face, but he looks more like an irritated, toothless clown. Dixie asks what's going on and says it's obvious he's up to something with Edmund and Dimitri. Tad says he's not up to anything -- HAYWARD is the one she's got to WORRY about. Dixie closes her eyes again and exhales in exasperation at his one- track mind, then says that Hayward is NOT the one that's LYING to her. He asks how she knows that. She thinks she KNOWS the "man behind the mask", but she doesn't have a CLUE! He says there are a couple of things she doesn't know about Hayward. [I'm noticing that no one but Dixie seems to be using his first name anymore. Kind of reminds me of the OJ trial] Dixie: "And you just can't WAIT to tell me, can you?" Tad plods on, telling her about the drug shipment from Carlquist Labs. She says David orders stuff from there all the time, so what? He tells her it was for Libidozone, and she actually ponders that a moment before shifting her eyes to come up with an excuse for David. Dixie: "Well, so, ok. Guilt by shipping order." She ridicules him for his flimsy "proof" that David is some sort of out-of-control mad person. Tad: "After what happened on that BOAT? COME ON! Dixie thinks there's some sort of logical explanation (but her eyelids are starting to flutter. Tad says he used it for a little pet project, which is destroying their MARRIAGE. Dixie says she's NOT going to listen to this. Tad: "Why do you defend him? Why do you refuse to see what everyone else knows?" She asks why he's so intent on revenge [maybe because David is so intent on schtupping you?] And to drag Dimitri and Edmund into it? Tad says they weren't dragged into ANYTHING -- they happen to think David has something to do with Alex's disappearance. Dixie thinks that's ludicrous! Tad: "No, it's true. Alex knew that Hayward had the Libidozone. Then all of a sudden, she vanishes? Hello?" Dixie's eyes flutter madly and she shrugs her shoulders at the absurdness of his accusations. She asks if there's more. He says yeah, there is -- there's Leslie. Dixie gets snide: "Yes, there is Leslie." He says he thinks Leslie was David's accomplice. Dixie's eyes don't blink at all as, arms folded, she says: "So between the drug lord and the vixen, you're quite the victim, aren't you?" [I didn't see, but I think her toe was tapping and a rolling pin was nearby] He says that's not what he meant. She points out that Leslie is David's LAWYER, not his partner in CRIME! [I will stifle myself here in deference to our loyal legal fans] She changes tack slightly and says she came to apologize for what happened last night and to see if they could work things through. Tad: "How do you propose we do that when you refuse to see the truth?" Dixie spits out a little huff of frustration and tilts her head at him.

Dixie says she knows the truth. He slept with Leslie and he lied about it. He said he stopped seeing her and he lied about it. He has explanations and accusations and conspiracy theories all over the place. Dixie: "It's -- I'm tired of it, Tad. You blame David for everything that's wrong with US. It's got to stop!" Tad's voice breaks as says he's trying to save their marriage. She says he's NOT, he's just competing with David. He says yes, he is, and he's LOSING because he shows her the side that he wants her to see and it's NOT the truth. Tad: "Whether you want to believe it or not, he's a very dangerous man, and I'm afraid he's going to hurt you." Dixie: "Like you hurt me?" He stares at her for a moment, then gets back on track. Through gritted teeth, Tad says: "He's USING you." Dixie bobbles her head as she earnestly says: "He's a good man! Don't you know how hard it was for him to operate on his mother last night? I mean, that took a lot of personal dedication and -- and courage. Are those the traits of a madman?" Tad stares at her, then calmly says: "All right. I'll shut up about David. But you do ME a favor. Ask him about Libidozone." Dixie: "Why? Why should I?" Tad: "Because if you don't, he's just going to go on manipulating you." [like her asking him is going to stop him!] Dixie: "David will hurt me? David will lie to me? All the things that YOU'RE guilty of, Tad. I just can't listen to it anymore." [she never does] She turns and walks out, slamming the sacred Martin front door. Tad turns glumly away.

DAVID'S OFFICE, WHERE THE ABC.COM PAINT PEELS FROM THE CAUSTICITY

David calls Dixie just to hear her voice. She asks about Vanessa, but he says he's much more concerned about her, considering he Medi-Vac'd her into an ambush last night: "Liza, Palmer, the Martin boys. What was I thinking?" She says she was glad she was there because she got to see all his courage [oh BARF!] -- she got to see him save his mother's life last night. He says he did it for her. She says he did it for a deeper reason -- for himself [not so deep, then]. Leslie chooses that moment to barge into his office, trilling: "Oh, Doctor! You've got to fix my broken heart!" Leslie: "I CAME for my Libidozone!" [I thought it was the other way around]

In their next scene, David is on the phone again, telling someone that the new temp is not working out. He demands that they find a secretary with a BRAIN and slams the phone down. Leslie heaves a sigh and tells him that he promised her a batch of Libidozone and she wants it NOW. He says he was in the OR all night. She doesn't believe him. David: "My mother was SHOT, Leslie, a bullet lodged in the heart!" Leslie leans over and in a ridiculing, yet conspiratorial manner says: "And you didn't finish her off on the table?" He tells her to come back tomorrow. Leslie: "No, we had a DEAL." David: "You mean blackmail?" Leslie: "Whatever." She threatens to tell Dixie EVERYTHING if he doesn't deliver. David: "What makes you think that Dixie's going to believe anything coming from the SLUT who slept with her husband?" Leslie: "Oh, I can be very convincing." David: "Yeah, right! If you need an APHRODISIAC to hold on to Tad, maybe you should give it up." Leslie: "No, he just has Dixie on the brain. The only way that I can remind him that we were made for each other --" David: "Yeah, is to drug him out of his gourd so that he'll relive the sodden sex on that yacht? Ooh, how romantic." She says she is THISCLOSE to getting the man she wants and she will NOT give up! She gets girlish and pouts that he said he would help her. He says he made another batch, gesturing to something on his desk. They both dive for it. David: "But I changed my mind. I'm not giving you Libidozone, Leslie." [Good strategy -- she needs some Thorazine with a Zoloft chaser, STAT!] She thinks she realizes what he REALLY wants, and asks how much money it will cost. He shakes his head. They both still have their hands on the container.

Leslie: "You want me to beg?" David: "Well, that would be nice to see someday at the appropriate time, but not now." He says he's not giving her an illegal drug -- it's unscrupulous. Leslie: What, has your MISTRESS been teaching you SCRUPLES? He waves a vial around and tells her not to make him call Security. Leslie: "Listen, you had no trouble using that drug before. Don't expect me to believe that you're having a crisis of conscience!" David, with all the sincerity of a used car salesman after you've finished telling him about your hemorrhoids, says: "I made a lot of mistakes that I have profoundly regretted." Leslie: "Yes, I'm going to profoundly regret regaling Dixie with all the sordid details of how you orchestrated her seduction." David: "She won't believe you." Leslie taunts him: "You want to take that chance? Think about it, David. Will she still look up at you with those adoring eyes? Will she still beg you to hold her, to make love to her?" She lunges at the vial and spews: "I don't think so!" David grips her hand and makes lots of eye contact when he says: "You DON'T want to cross me, Leslie." She stares at him with a look of grim determination. [Little side story here: Back in the late 70s, I came out of the ladies room at work to find myself face-to-ass with the guy repairing the copier machine. He was wearing those fabulously tight "Angel's Flight" pants and had a FANTASTIC ass! I admired it for a while, smiled to myself and went back to my desk where someone was waiting for me. He looked at me and jumped back a little, feigning fright. "What?" I said, taken aback by the look on his face, "What's wrong?!" He told me that he didn't know, just that I had a look of "grim determination" on my face. ROTFL!!! Ah, memories!]

PINE VALLEY HOSPITAL/CONFIDENTIAL INFORMATION DISPENSARY

Myrtle, clearly volunteering based on the overblouse she's wearing that one usually finds in the Montgomery Ward Old Lady Housecoat dept, greets Jake. Her hair is so brilliantly red that sparks are flying off of it. She says he's very bright-eyed for a fellow who was up so late last night. She's heard about Vanessa. She also knows he went to a bar with his father and brother. He wonders if she has a crystal ball, but she says she had a chat with his father. Jake leans over and asks if Joe told her that Gillian is pregnant. Isn't that great? There's going to be another Martin running around by the end of the summer. Myrtle fakes a bright smile and roles her eyes a little, stammering his name as he tells her to be happy for him. [Am I the only one starting to hear the refrain from Al Bundy's favorite TV show, "Psycho Dad!"?] She says she wants him to be happy, but isn't it a bit too soon? [in her head: "Considering Ryan and Gillian screw more times a day than the air-powered lug-nut driver at a 24-hour tire outlet?"] He says he missed so much with Colby [Oh, PULEEZE! You took her for visitation so often that the Pope is investigating!], and this time it's going to be different! He's going to be with this baby from the beginning and it's going to have the best care and most love from day one. He speaks reverently of burping and diapering. She says he was so hurt when he lost Colby and warns him not to put all his hopes on this baby; is he sure it's HIS baby? He's positive -- he FEELS it [Gillian's fetus: "In the womb, no one can hear you scream, but I AM screaming!"] He looks beatific and serene. She reminds him that Gillian and Ryan are together now. He says he and Gillian DID love each other and they created this child. She says that even if that's true, R&G will be married and raise the child together -- RYAN will be the legal father.

After talking to Gillian, Jake turns back to Myrtle and asks what she thinks of naming the child "Ruth" if it's a girl. She tells him Ruth would probably tell him not to rush things. He says he just spoke to Gillian, and she's coming over to talk. Myrtle asks how she's taking it. He says she's in shock, but he thinks she's going to come around. She once again tells him that Gillian is going to marry Ryan -- she's making plans that DON'T INCLUDE HIM! He says that's why he's going to insist on paternity tests. If he IS the father, he's going to insist on shared custody. Myrtle: "Whether she wants to or not?" He walks from behind the nurses desk and motions her over to the waiting benches in the hallway [I don't know why, since there wasn't anyone at the desk but him]. He says he is the father of this child and Gillian is just going to have to accept it. Myrtle: "What if she says no?" Jake: "Well, I don't even want to think about that now, but I do have legal options." Myrtle tells him that when you had the awful battle about Colby, it tore him apart, sent him to Chechnya, and he lost Gillian. She couldn't bear to see him going through that pain again! Jake: "Myrtle, I will do anything for my child." Myrtle: "I know you would. I mean, you chose to lose Colby rather than drag the baby through a horrible, ugly court case. And you can't -- you mustn't do the same thing to this baby." Jake says there there won't be a struggle this time because Gillian and he are going to do what's best and make the right decisions. Jake: "And it's different. This baby's my own FLESH AND BLOOD, and Colby wasn't." Myrtle asks if this about the baby, or if he's hoping to hold on to Gillian. Jake: "I know I've lost Gillian." Myrtle: "Yeah, but here, right there [she taps on his chest] -- do you think maybe if you share the baby you might keep the relationship with Gillian alive?" Jake: "I don't know. I just want her to be happy." Myrtle: "Well, happy about the baby or about you being the father? Jake, darling, don't expect too much!" Jake: "I want to be a part of my child's life." Myrtle: "Yes, but that's for another time. But right now, don't push Gillian, or you're going to drive her away!" She leaves and says the offer of a cup of tea with her is open.

THE GOOD SHIP SCREW-ME

Leo walks into the main cabin and Ryan asks after Vanessa's health and tosses in that he and Gillian are praying for her [somehow, praying is not what comes to mind when these two get on their knees]. Leo says it's touch and go and that he could use another prayer because Adam was acting like a bear grilling Vanessa about Hayley and Leo told him to beat it. Ryan says, in that case, prayers won't help. Leo switches the subject to Stan Berringer, their investment guru, who says they are already seeing returns. Leo reinvested his profits, except for the $1k he used for his date with Laura. Gillian enters wearing an ugly gray skirt and a bulky foreign-flavored top (Russian? Asian?) They hug and she smiles wanly.

Ryan pours Gillian some coffee or tea, commenting that 4 sugars are coming up. Leo gags and Ryan explains that it's a Hungarian thing. Gillian declines the drink. He asks if she's dizzy again and she says she's fine. He picks her up and twirls her around [not like a baton, but that would be kind of cool, wouldn't it?], offering champagne, caviar and anything else she wants. He suggests Valentine's Day for getting married and she points out that she's not divorced yet. He says he knows that, but she WILL be any day and they she'll be ALL his! Smooches. Laura skips in (without knocking). Leo puffs his cheeks like he's holding in a monumental burp and gives her the shush sign, pointing to the lip-locked couple. Not wanting to break the trance of the love-struck couple, she walks up to them and asks if she's interrupting. Ryan says everything is going great and a little love can't hurt. Having successfully pried them apart, she offers to leave. Leo tells her to wait for him -- all this mushy stuff is bad for his stomach. Ryan asks her to stay and go over projections with him since she's going to do their PR photos.

The phone rings and Gillian gets it. It's Jake, who has relapsed and, once again, is incapable of pronouncing the L's in her name. He wants to come and see her right now. She says it's not a good time. He states that she's pregnant with his child. Gillian says ok-ok, but not HERE. He gets sanctiMartinous [kudos to Aisling (I think) for that word!], sputtering indignantly that she hasn't told Ryan yet! She asks where he is. He says she HAS to tell Ryan what's going on, then says she's on her way, hanging up on him. Ryan innocently inquires as to the nature of the call and she says it was the Library -- she had ordered a book and its come in, so she's going to leave to pick it up. She quietly asks him if he knows how much she loves him. Really. Honestly. Truly. For sure. You betcha. Ryan: "I do know -- every single minute of every single day. They smooch some more and Leo points at them, telling Laura: "Hey! You see my working conditions? It's a real strain."

Gillian leaves and Ryan spins to tell Leo and Laura their next big assignment. They are going to hold a contest and participants are going to submit their most romantic dream, just in time for Valentine's Day! Can Laura work with Leo on this? She says she's doing this job as Independent Study and doesn't have classes [how convenient], so she's all his. They decide to go to the Valley Inn for Eggs Benedict to discuss it.

PINE VALLEY BAR AND GRILL

Greenlee hesitantly walks in and says good morning to Woodruff, who is sitting at a table with her father, Roger. She says she didn't know her father was going to be there and Woody says he didn't know until just that morning. Roger asks if she's been keeping out of trouble. She crosses her arms and asks why he's there and he says he's just passing through -- he's sorry he didn't have her number. she looks hurt, then bucks up and says: "Don't bother, ok, you never call." He says a course in anger management might do her some good. She says: "I'm not angry, I just -- never mind. Are you staying overnight? Maybe we could have dinner." Roger: "I'm leaving just as soon as Woody and I finish our business." Greenlee: "Does what I feel even MATTER to you, Daddy?" Roger: "You know, you mustn't take this so personally, dear. It's not healthy." Greenlee: "I just wish I could see more of you. Well, how's Mother? Does she like Spain?" He tells her Mumsy is back in San Diego and he's going to join her in a couple of hours. Woody stands up and awkwardly says he has calls to make and suggests they have breakfast and catch up. Greenlee's eyes are dark and somewhat unreadable, but readable enough that we know she is hurt and intimidated, yet strong and determined. She asks if he's still mad at her. He says the charges were dropped and she hasn't killed anyone, at least not yet, he presumes. She says she meant about what Leo said about her trust fund. Roger pretends he doesn't know what she's talking about and then remembers, telling her not to be ridiculous -- he's forgotten all about that (i.e., he's not mad about something that is so clearly her fault and Leo's fault). Greenlee: "Then why are you punishing me?"

Greenlee: "Daddy, Leo said some horrible things, and when you left you were so angry." Roger: "Oh, that's right! He accused me of plundering your trust account. [he chuckles indulgently] Impudent! But then that sort always is." Greenlee: "What 'sort' is Leo?" Roger: "The Eurotrash pretty boy who never met an heiress he didn't like. I hope you've kept your distance. She says Leo's not like that. She hesitates and looks down, then says that she trusts him. Roger looks incredulous and somewhat insulted: "You can't possibly believe him, that I would stoop so low as to pilfer my own child's trust account?" Greenlee looks at him searchingly, then smiles hopefully as she says: "I know you love me too much to do something like that." He gives a hesitant look of his own.

Leo and Laura walk in. He stops for a moment to take in the sight of Greenlee and her father at a table. L&L are both distracted by Greenlee and her father and Laura asks if she should try somewhere else. Leo says no. It's not Greenlee, it's her DAD -- he can't believe that loser's back in town already. Laura. "Hmmm. SO what's the brainstorm?" Leo orders 2 cappuccinos and 2 Eggs Benedict. [I suddenly have a craving for scrambled eggs, but I'm out of eggs. I have a craving for chocolate, too, which I'm also out of.] He says Laura now has his undivided attention. What should they name the contest? She suggests "The Dream Weaver Contest". Leo [who really needs a haircut right about now] runs with that: "That's not bad. That's not bad. All our dream weavers will submit their most impossibly romantic dreams?" Laura: "And their dreams come true, courtesy of IncredibleDreams.Com." Leo: "Well, within reason, of course. I mean, there's no honeymoons on Mars or fathering Julia Roberts' child or anything like that." She asks if employees can enter and he says no. She says that's too bad and starts to fantasize.

In her fantasy, Laura, wearing a teal, spaghetti-strapped dress, is on the yacht. She smiles as she sees Leo and walks to meet him in front of the large stained-glass mural. He caresses her face, then bends to kiss her. Lights flicker and curtains billow n the breeze. [Actually, it's downright windy -- looks like a Nor'Easter] Sexy music plays as they run on deck. Leo points to something in the distance and whispers something incredibly sexy into her ear. For no apparent reason, they turn to stand among billowing pieces of white canvas. He holds her neck and kisses her again as the wind creates a new part in the back of her head.

Leo calls her name and brings her back to the reality of the bar. She says she was daydreaming. He asks if she minds sharing and she says it was just girlie stuff. She asks if HE has any incredible dreams. Leo: "Yeah, actually, I do. It involves a vat of chocolate and consenting adults." [He and Greenlee may have already made THAT dream come true] They laugh.

Greenlee, hearing them laugh, looks over her shoulder, chagrined. She tells him she's been thinking. Roger, totally serious: "That's always dangerous, dear." Greenlee takes a breath and continues: "Pine valley's such a drag this time of year. You know, the weather's dreary, the yokels are so -- yokel. How about I come to San Diego and visit you and Mommy? Wouldn't that be fun?" Roger: "No, I'm afraid that's not possible." Greenlee: "Why?" Roger: "Your mother's redoing the house." Greenlee: "Again?" Roger: "Feng Shui this time." Greenlee: "Well, I could stay in the guest house. Please, Daddy, let me come home! I swear, I'll stay out of the way!" Roger: "We both know that never happens."

Greenlee viciously snaps her napkin open and slaps it across her lap hard enough to leave welts as she say: "You have no problem with my MONEY. It's just ME you can't stand!" Roger: "Greenlee --" Greenlee lashes out: "You know, I'm your DAUGHTER, not a PIGGY BANK! I'm going to be out of money if Mommy doesn't find a cheaper hobby!" Roger, cooly detached, as always: "Well, I had hoped that we could have a nice --" Greenlee: "You HOPED you could get in and out of town without seeing me!" Roger stands and buttons his jacket, leaving a perfectly tasty meal untouched: "If I hurry, I can catch an earlier flight. Tell Woody I'll call him." Greenlee watches him, hurt. She stares down at her plate and pushes it away, about to cry. Leo excuses himself from Laura and rushes over to Greenlee, who lifts her head up in resignation and asks what he wants. He thanks her for last night and she asks about his mom. Leo: "Thanks to you, I was there when she woke up." Greenlee: "She's going to be all right, then?" Leo: "It takes everything except a silver bullet to get to Vanessa." He asks after HER parental unit. She pastes a brilliant smile on her face and enthusiastically says: "It was a total surprise! He and Mommy miss me so much they want me to come back there for a visit! I'd rather be anywhere than San Diego in February. It's social death, if you know what I mean, but they even redid my room for me. How could I say no?" Her face looks like it's about to crack. Leo: "Liar." Her smile dies and she tells him to leave her alone and stop pretending he gives a damn about her problems. He stares at her thoughtfully.

In the next scene, Leo is back at his table eating eggs and Greenlee is resolutely eating. She stands to leave and Woody comes back asking where her father went. She says he's on a plane to San Diego, the demands an AUDIT of her trust fund -- TODAY! With another look of grim determination [heh, heh], she clomps off, leaving Woody open-mouthed. Laura comments that Leo knows how to make quite an exit. Leo nods and apologizes for being lousy company, and she excuses him, saying he's on the rebound. Leo: "Yeah, I'm a real chick magnet." Laura: "Well, anyone looking to settle down with Mr. Right should keep moving. But good thing I'm just in it for fun." She smiles at him and he sheepishly raises his eyes at her as he sips his cappuccino. [I study her make-up, which very carefully shapes her eyes into a catlike slant. Methinks some feline plastic surgery is in her future, like that really weird rich lady in Manhattan. I can't wait to see what she looks like with whiskers!]

PINE VALLEY HOSPITAL/MARTIN BABY MATERNITY WARD

Gillian shows up and curtly asks what he wants. Jake thanks her for coming and says he just wants to make sure she's ok. She says she's fine. Jake: Are you sure? I mean, because I know that this pregnancy is the last thing that you expected or that you wanted, and you and Ryan have your whole future ahead of you, and --" Gillian drops the curtness and rambles about how unreal it is to be having a baby. He says it IS real and she HAS to tell Ryan. She asks how can she tell Ryan about it when he's so happy? How can she tell him she's carrying JAKE'S child? It will break his heart! [Jake's brain: "Oh boo-hoo!"] He says Ryan loves her and will accept the child, he KNOWS it. Gillian: "Ryan and I are finally free to be together. How can I ask him to accept your child?" Jake: "Well, you just have to think about this baby." Gillian: "Well, all I can think about is Ryan and how unhappy this will make him. If I decide to --" Jake: "GILLIAN, you CANNOT terminate this pregnancy!"

Jake advances on her menacingly enough that she steps back. Jake: "Gillian, TELL me that you're going to have this child!" Gillian: "I haven't thought that far ahead. I still can't believe I'm pregnant! My body feels the SAME. I have NO maternal feelings. Maybe I'll be a terrible mother!" [Jake's brain: "No problemo -- hand the little sprite over to ME! I'll have you declared unfit -- case closed!"] He insists she's a natural, listing motherly things she did with Colby, like dangling necklaces in front of her face. She says it's complicated. He begs her to tell him she's not going to do anything rash. She says she doesn't know WHAT she's going to do. He says the first thing to do is focus on the child and everything else will fall into place. While you're here, why don't you go in and have a sonogram?" She gets angry and says she's NOT ready for that. Jake: "I just think that if you see a picture of the baby, then --" She tells him to knock it off and he apologizes. Then he pushes her to talk to Dr. Clader. Jake: "There's no commitments, there's no decisions, no tests. Just get some advice from him, ok?" She concedes that she liked volunteering in Dr. Clader's office. He pounds the stake in a little further, saying that she has a FRIEND here who is on her side. What's the harm? She agrees there's no harm in talking to Dr. Clader. He tells her to stay there, he'll be right back. He rushes off, presumably to strong-arm Dr. Clader into leaving the baby that's currently crowning in the Delivery Room so he can soothe Gillian. Gillian stares after him, feeling cornered.

Myrtle, quite the busybody today, strolls into the waiting area and greets Gillian. Myrtle asks if she's there to see the doctor. "Doctor?" questions Gillian as she stands in a hospital waiting area. Myrtle says Jake told her the good news and one's got to start taking care of oneself from the moment one knows oneself is pregnant. Gillian is furious: "You know I'm PREGNANT? I can't believe this!" Myrtle: "Oh, it's a secret?" [This from the woman who has dispensed tea and sympathy to young people since before I was born, who gave her daughter up for adoption from the Fanny Battle Home For Unwed Mothers after her lover died in a tragic acrobatic fall in the carny] Gillian: "No! No, he had no RIGHT!" Myrtle: "But, darling, you have to understand he's very, very excited about it!" Gillian whirls on her: "I don't CARE! He shouldn't have DONE that!" [I hope she sues his sorry ass!]

Gillian pleads with Myrtle: "Myrtle, this child isn't his! It CAN'T be. Can you talk to him, please?" Myrtle: "Well, look, darling, I tried, but he's just full of excitement about this baby!" Gillian: "Well, no matter what happens, somebody's going to get hurt. I don't know what to do!" Myrtle: "Darling, look -- look, it's going to work out somehow, but the important thing is, take care of yourself. Promise?" Myrtle chucks her on the chin and walks away. Gillian looks desolate and undecided as she says to the air: "What am I going to do?" She walks out.

Jake and Dr. Clader walk into the waiting area as Jake says: "Well, she hasn't seen a doctor yet and, frankly, she's a little shaky about the pregnancy. But she trusts you." Dr. Clader warmly remembers Gillian volunteering for him. Jake looks around, but doesn't see Gillian. He starts to breathe heavily: "Um -- she was just here."

BACK ON THE YACHT O' DOOM & BAD MANNERS


Dimitri and Edmund, who are apparently attached at the hip now, hop on their three legs into the main cabin. Edmund says they saw the police tape and ask about any news on Vanessa Cortlandt's shooting. Ryan: "No, they're still trying to sort it out. Thank God she's going to be all right! Shooting, the drugged punch, a nearly drowned guest, and your wife's disappearance -- this boat is definitely cursed!" Edmund apparently has a dandruff problem or some other skin condition, because he keeps scratching behind his right ear. [I watch for his leg to start spinning, but it stays curiously inert]. Dimitri uses his hands to sort imaginary library books as he says they've been able to link David Hayward to a Ly-beed-o-zone shipment. Ryan jumps up and says: "I KNEW IT!" Dimitri tells him not to jump the gun -- they need hard evidence to link David to the spiking the punch and Alex's disappearance. They said they didn't find anything in Bristol, which is why they are there -- maybe they missed something. Dimitri excuses himself to answer his cell phone and yells hello so loudly that I jump in my chair. It's Alex who says: "It's Alex."

Dimitri: "ALEX!" Edmund, looking mildly concerned says: "What?" Dimitri: "WHERE ARE YOU? ARE YOU SAFE?" Alex: "Yeah, I'm fine. I love you." She's standing in a room with wood paneling. There's a gold-toned painting next to her -- looks a little marshy. Dimitri: "WELL, YEAH, I -- I LOVE YOU, TOO. NOW, PLEASE, DARLING, TELL ME WHERE YOU ARE!" Alex: "No, not now, darling. I can't." Dimitri: "ALEX, WHAT'S HAPPENING? WHAT ARE YOU DOING?" Alex looks wary, as if someone might be coming back into the room: "I wish I could tell you, but I can't. Not yet." She hangs up. Dimitri: "ALEX, HAVE YOU BEEN TAKEN AGAINST YOUR WILL? IS IT HAYWARD? DID HAYWARD ABDUCT YOU? ALEX? ALEX!" [All this yelling is giving me a headache -- I don't blame her for hanging up on him] Edmund with no particular interest in the conversation: "What is it?" Dimitri (dropping his voice to a whisper): "Hold on, hold on. I lost her. I lost her again!"

BACK AT DAVID'S OFFICE OF ILL REPUTE


The camera focuses close-up on three hands grappling with the Libidozone vial. [for a moment, I absurdly think it's like a Police Squad movie (I ALWAYS think of Leslie Nielson when I see Dr. Clader, anyway) where there's a 3rd arm there, but it turns out to be 2 of David's roaming hands and 1 of Leslie's] David: "I never should have made this!" He locks it in his flimsy desk drawer. Leslie: "What are you doing?" David: "I'm going to dispose of it later." Leslie: "You can't!" David: "It's not your call." She comes around the desk and tries to grab the key. Leslie: "No!" David: "GET OUT!" Dixie walks up outside David's office and overhears Leslie threatening him: "If you don't give it to me, I will tell Dixie more than she EVER wants to know about you!" Dixie stares at the door, but doesn't seem to react much.

ON THE NEXT AMC:


At the condo, Adam walks up to Hayley, who is still dressed like the slutty Arlene, and lovingly says: "How are you, sweetheart?" He puts his hands on her shoulders and she whips around, slamming him in the gut with her elbow. He keels over, the breath knocked out of him. Mateo stares at them, waiting for his turn to say something.

At the PV Bar and Grill Bianca accuses Erica: "You were a lot younger than I was when you first had sex, weren't you?"

Dixie stands in front of David in his office, eyes down, and says: "I just heard what Leslie said."

Leslie is on the phone in one of the doctor's offices (probably David's) and says to Tad: "It's about David. You were right about him. I'm ready to give you all the proof you need."

Irreverently Submitted

Robin "will Leslie still be in this world come March?" Coutellier

2001: BC - Mon-Tue, 1/29-30/01

I LOVED it when Derek said no one could get on or off that boat without them (the PVPD) knowing about it -- BWAAHAAHAHAHAHAA!!!! A marching elephant band setting off fireworks could (and probably have) sneak onto that boat without them knowing about it!

Isn't it time someone bought Jake a Betsy-Wetsy doll? A puppy? Maybe even a goldfish? That man has a SERIOUS daddy complex.

I have NO sympathy for Dixie at this point. I can't WAIT to see her face when she finds out about everything David did to manipulate her and the circumstances around her to get her into bed! The fact that Cady McLain does such a great job with her expressions will make it that much better.

Speaking of Dixie, why were her curls still bouncy after having sex and sleeping on her hair?

When Derek gives orders and everyone totally ignores him, as usual, does anyone else get reminded of the movie Animal House when everyone is panicking at the end and the one guy is standing amid the chaos and screaming in a frenzy at everyone to remain calm and that everything is under control?

When Marian saw Vanessa's prone body on deck with Palmer hovering over her, and she said, "Oh my God, this can't be happening!", did anyone else think she was going to ask Palmer if she should get Adam to slip her overboard -- after all, Adam is good at that kind of thing.

That's an amazingly clear cell phone Derek is using, considering he was (as previously mentioned by someone) holding the mouthpiece up to his forehead whenever he spoke. I wonder which carrier he has, 'cause I'm not sure I want to stay with Sprint PCS.

When Mateo told Adam that Derek was their best bet, how many of you immediately yelled "YOU ARE ***DOOMED***!"? On the plus side, as long as Mateo is on deck, his teeth should be sufficient to keep other ships from crashing on the rocks during the storm.

Did you hear Dr. Joe refer to Vanessa as "Vanessie"? Shaqqie, your nickname (I THINK it's yours) has hit the scripts (well, it's only a matter of time until they preface it with "Darth" and drop the "Va")!

So Adam has "hired extra Security", huh? How many does that make now, 500 or so guards? And anyone at all can STILL just walk up to the unlocked front door.

Robin "Vanessa's New Theme Song: Take ANOTHER Little Piece of My Heart, Now Baby!" Coutellier

2001: Detailed Friday Update, 1/26/01

PREVIOUSLY ON AMC

Rain to Bianca: "If you're up for some mindless fun, I'm your girl!" Bianca: "Let's go!"

Greenlee: "This is Leo du Pres's personal assistant. I'm calling to confirm a reservation."

Tad: "Sleeping with you is the worst mistake I ever made!"

ERICA'S HOUSE

Erica is on the phone, being informed by a teacher that Bianca never showed up at school that day. She's furious because it's almost dinnertime and she's just now finding this out. She slams the phone down and tells Jack that Bianca is missing and never went to school that day.

Later, Erica is on the phone trying to locate Bianca. Erica is inexplicably wearing a sleeveless top in the dead of winter. Jack wanders in asking if she's made any progress. He doesn't think Bianca has run away, since her room seems to be in its usual state of controlled chaos. However, Coral indicated to him that she didn't think Bianca slept in her bed last night. Erica starts to flip out, but he calms her down. Then he asks about the psychologist and she tells him that she had to fire her. He's disappointed. She rages at him, asking why everyone is ganging up on her, when she's afraid she's losing her daughter forever!

PINE VALLEY MALL

Rain and Bianca are standing in front of a sign about a two-for-one body- piercing sale, and Rain is trying to convince Bianca to get her nose pierced. Bianca says her mother would have puppies! Rain says she's grounded for the rest of her life, ANYWAY, so she might as well go out with a bang.

Leo walks up to Laura and takes out a 100% calfskin leather coat -- very Tribeca! It's a gift for Laura for their date in New York. She's VERY impressed and kisses him. They don't realize that Greenlee is standing behind a post watching them, crestfallen.

Bianca asks if Rain minds sharing her money with her. Rain matter-of- factly tells her not to worry about it -- what's Rain's is hers. Then Rain asks if Bianca is still thinking of getting a nose-ring like hers. Bianca jokes that now it's a RING instead of a stud [I can see that -- studs won't do her much good, anyway :-)]? Rain says she has the perfect face for it. They spy Leo and Laura and walk over to talk with them. Leo asks them to tell Laura how great she looks in her new coat. They comply, then Rain asks how much it cost. Leo says he bought the coat for their hot date in New York, which includes a limousine. Naturally, Greenlee overhears this, despite being 20 feet away, people walking around and the loud mall-music being piped in. He asks if they know the best places to eat and be seen [isn't that HIS job?] Laura asks if he's always been this shallow and he says he needs their help because she's spent way too much time behind the Great Wall of China and is in need of a total groove adjustment. She socks him in the arm as Greenlee intently listens. Bianca says they have a bigger problem, pointing to Greenlee. He says there's only one way to get rid of a mole -- smoke it out. He steps over to Laura and starts making out with her. Greenlee is crushed.

Greenlee walks over to another post. Leo and Laura break suction and he asks if she's ready to go now, calling her Chairman Mao. She tells him he's going to New York alone if he ever kisses her like that again without asking or calls her Chairman Mao again. They say goodbye to Bianca and Rain and start to walk away. Greenlee is still behind a post, but Leo says hi and asks how it's hanging over there behind the pole. Greenlee huffs nonchalantly and asks if he has a limo waiting. He says they do and asks if Laura want to add anything. She says it would take all night. Greenlee glares at them. They leave and Greenlee stomps over to Rain and Bianca, asking why they told Leo she was there. Bianca pretends to be surprised and asks if it was a secret. Greenlee: "Don't think I don't know what the two of you are doing here, trolling the mall for spare change and dates!" Rain: "Trust me, Trust Fund, if we wanted dates, we'd have them." Greenlee: "Oh. Oh, is that right? Are you two a gay item now?" Rain: "Bianca, can I kill her?" Bianca pulls her away and says she thinks she'll get that nose ring after all (loudly emphasizing the words NOSE RING). Rain suggests that they get matching silver hoops. Greenlee calls them losers, then clomps away.

HAYLEY AND MATEO'S ROOM AT ADAM'S HOUSE


Mateo is sprawled out on the bed asleep, looking like he's posing for a Playgirl spread. The camera pans to the drinks on the nightstand with the sleeping pills next to them. He momentarily wakes, calls for Hayley, then turns over and goes back to sleep.

THE PIT

Hayley is tarted up as Arlene and writing a note on stationery with the name Arlene Chandler at the top [when did Arlene stop long enough to take her stationery with her?] The note says: "Things were never great. I know I wasn't the perfect mom, but I didn't think I could raise such a bad kid! Hayley turned on me, and there's only one way to make up for that."

She's interrupted by Bud, who comes up and asks if she's missed him. She chuckles seductively and says "Buckets, Buuud"; they embrace and she passionately kisses him -- he runs his hands all over her and she laps it up. She asks him to dance with her. As she starts to the dance floor, he pulls be back against him and says he wants a SLOOOW dance. She says he'll get his wish, but she's going to make him wait for her. He runs his hands over her thighs and says he doesn't WANT to wait. Haylene: "But I'm worth it -- can't you tell?" She's coyly smiling and lolling back against him. He wants to go somewhere for a PRIVATE dance. She says she's good for it, but she has a letter to deliver. He urges her to wait until tomorrow, since it's icy outside. She says she has sinners to unmask and a yacht to haunt and laughs over the name of the yacht -- The Fidelity. He tells her to stay there and stop talking crazy. She says she's crazy like a FOX, kisses him, asks him to keep her seat warm, and strolls out, laughing evilly.

HAYLEY AND MATEO'S ROOM AT ADAM'S HOUSE

Mateo slowly comes to as Adam pounds on the door. Adam is yelling for Hayley. Mateo grumbles at him as he opens the door. Adam, Liza and Marian spill into the room and Adam demands to know where Hayley is. Mateo doesn't know and Adam berates him for it. Mateo says he went to sleep and now his head hurts. Adam asks if Mateo got a letter like the pink one he holds up. Mateo holds his head and says he doesn't know. Liza notices that there's water running in the bathroom. Hayley emerges from the bathroom, brushing her teeth. She's dressing in a black, low-cut, skin-tight top and matching pants. Kelly Ripa's pregnancy has noticeably manifested itself in the form of jiggling breasts and actual cleavage instead of the usual concave hollows. When she turns sideways, the somewhat bulging belly is apparent. She asks what's going on and Adam shows her the note, saying they all got one -- did they? The note says Arlene wants them to go to the yacht tonight. Hayley mildly freaks and asks what Arlene WANTS from them! Adam says she wants them to confess that they tried to kill her.

Hayley freaks some more and Mateo escorts her to a chair, telling her to calm down. They rehash their predicament and Hayley wails some more about what Arlene wants from them. Marian suggests they go to the police. Adam says she just wants them to be miserable, not to mention a lot of cash. They all decide they are going to the yacht. Hayley walks over to the door and picks up a pink letter that no one had noticed prior to that. The note reads: "To my darling, destructive daughter and her over- protective hubby: Come to the Fidelity tonight at 8:00 P.M. And confess. Confess your crimes!" Hayley sighs heavily and clings to Mateo as he hugs her.

TAD & DIXIE'S HOUSE

Tad shows up while Dixie is ironing and folding laundry. Tad had remembered that tonight they were supposed to go to Mount Oak (what happened to Mount Evangeline?) on a skiing trip. Dixie is VERY nervous and awkward. She says she's glad that he still wants to do things together for the kids. Her face falls when he says he wants to take the boys alone. She quickly recovers and goes to pack Junior's things.

Dixie comes back and is nervously rambling on about Junior needing ski pants because she doesn't want him skiing in his jeans. Tad assures her that they were going to stop at the mall, anyway, to buy extra-thick socks. Dixie asks what they are doing, dividing their time between the kids and packing for a trip they had planned together. He says she asked him to leave. She mournfully says that it was a BIG mistake.

Tad says he's made mistakes, too, principal of which is letting David Hayward get anywhere NEAR them. Dixie closes her eyes in shame. Tad: "I saw him coming a mile away. I knew he was going after you, and I knew what he wanted, and I didn't do enough about it. I keep thinking if I had tried just a little harder, somehow I might have been able to prevent this. Now we're never going to know. And I'm always going to regret that. I'm sorry that I wasn't strong enough for us." Dixie: "And I'm sorry I wasn't strong enough for you." They sadly look at each other.

ERICA'S HOUSE


Although it seems impossible, Susan Lucci appears to have lost even MORE weight -- either that or her cheeks have been liposuctioned and over-rouged, because they are looking downright SHARP. Erica still can't locate Bianca and wonders if she went to New York again. She can't reach Leo on his cell phone, either. She apologizes to Jack for getting on his case earlier and says she's doing the best she can. Jack: "I know that. I do. I'm just afraid you're so anxious to get the answer here that maybe you're not hearing the question your daughter's asking you." He says maybe Bianca is asking for her help [gee, ya think?] Erica says Bianca is angry at her ALL THE TIME and she's going around making these great big proclamations about herself when she's too young to know it is true. And she's MISSING! Jack points out that she could walk through the door at any moment, and when she DOES, Erica should do everything she possibly can to KEEP her there. The doorbell rings and Erica rushes to answer it, starting to say Bianca's name [what, Bianca doesn't have a key to a door that's always unlocked anyway?] It's Greenlee. When Erica sees her, she holds up her hand and shrilly tells her she doesn't want any. She starts to slam the door, but Greenlee says she has news. Erica says she doesn't WANT her news, she doesn't have TIME for her news, LEO doesn't want her news-- Greenlee says it's about Bianca and Erica's hands fly to her face with fear. Erica: "Oh, please! She's all right, isn't she? Please let her be all right!" Greenlee: "Yeah, yeah, she's peachy. She's at the mall." Erica: "The mall?" Greenlee: "Yeah, she and her weather friend -- you know, snow, sleet --" Erica: "Rain?" Greenlee: "Yes. How do you feel about body piercing?" Erica and Jack practically shove Greenlee out of the way as they run out carrying their coats, but not bothering to put them on, despite Erica's aforementioned sleeveless top. Greenlee shivers (her jacket isn't zipped) and smiles, saying they'll thank her later.

TAD AND DIXIE'S HOUSE

Dixie gulps and says maybe they need some time and a little help. Junior comes in and is happy to see them both standing there. He's THRILLED that they are going on the trip that he assumed had been canceled. Dixie warns him against broken legs. He catches on that she's not going and loses all his enthusiasm. He glumly says maybe he should stay home with Dixie, and Tad and Jamie can go alone. Dixie pleads with him to go and says she'll have a great time pampering herself. He thinks it would just be really weird for her not to be there. She thanks him for worrying about her, hugs him and tells him not to worry so much. She reminds him that Tad is going to be making a mall run, and Junior goes to get whatever he wants to bring.

Dixie and Tad awkwardly discuss room numbers and telephone calls and he says he wants to take the 4x4. More foreshadowing about icy roads. She thanks him for doing it for the kids and says it really means a lot. Tad has already packed Junior's gear in the car and he explains that they really have to get going to make good time. Dixie watches with barely concealed pain. Junior and Dixie bid a fond farewell and Tad quietly tells her to try not to worry about "us".

Dixie goes back to her laundry, but is interrupted by a knock at the door. Amazingly enough, it is NOT David Hayward. Rather, it is Palmer and Vanessa, there to stir up shit and tell her things for her own good. Dixie says Tad and the boys just left to go skiing. Vanessa: "Are you sure--" Palmer cuts her off by sharply saying her name. Dixie says she's sure and asks if everything is okay. Vanessa starts to say something, but Palmer steamrolls on about snow and being great for skiing. He asks how things are going. Dixie thinks quietly for a few moments and says they need a lot of work, but she thinks Tad wants to come back to her, like she wants him to come back. Vanessa: "Oh HONESTLY, you poor deluded girl (gasp)--" Palmer cuts her off again and Dixie demands to know what Vanessa means by "deluded". By would she be deluded for wanting Tad to come back? Vanessa is chomping at the bit to tell her, but a look from Palmer just makes her gasp and toss her head in frustration. They have an entire non-verbal conversation (consisting of things like "sit!", "Stay!" "Heel!" "Shut up!").

Palmer begs Vanessa not to speak, but Vanessa says Dixie should not hear it from someone out on the street -- it should come from them. She tells Dixie that she and Palmer overheard Tad at the Valley Inn in what sounded like a lover's quarrel with that squirrel, Leslie Coulsen [in insult to squirrels everywhere!] -- the woman was half-undressed in the HALLWAY! Dixie looks nonplussed. Palmer and Vanessa continue to tersely bicker about breaking the news. She relates that Tad was saying "I'm sorry I ever slept with you in the FIRST place!" Dixie makes a grim face and turns, getting an ever increasing look of dread on her face. With her back to them, she asks if this was a few months ago after everyone got sick after the yacht party. Vanessa says it was just a short while ago. Dixie is crushed, then disillusioned and angry, but still facing away and keeping control for the moment. She asks if Tad came to her just now, right away after seeing HER? Palmer says he's never been a fan of Tad, but he certainly never wanted this to happen. Is there anything they can do? Maybe they misunderstood. Dixie finally turns back to them. She firmly and resolutely says she's SURE they didn't misunderstand. She thanks them for stopping by and asks them to leave so she can be alone. She's ever the thoughtful hostess and she thanks them again and again, like a cabin attendant at the end of a flight, as she holds the door open to usher them out.

She calmly walks back to fold her laundry some more, then stops, puts her head in her hands for a moment, then throws the laundry basket across the room [I can tell you from experience that that is NOT a satisfactory throw -- this kind of anger really requires actual breakage, and plastic and cloth just don't cut it]. She paces, pulling at her hair, rubbing her face, then sitting on the couch to stare mournfully at their wedding photo. She makes a decision, grabs her keys and runs out without so much as a sweater. At least HER thin top has sleeves.

HAYLEY AND MATEO'S ROOM AT ADAM'S HOUSE

Mateo shakes the pink letter as he comforts Hayley and says that the woman is CRAZY. Adam says he's taking care of her once and for all, TONIGHT! Hayley says they should go and confront her together like she wants. Sounding like a citizen of the "Gulch" town in Blazing Saddles, Liza says Hayley is right, they should all go together as a family, since Arlene is trying to ruin the ENTIRE family; they have to show an united front. Howard Johnson--er--Adam says Liza is right. In an unusual display of intelligence, Mateo asks if it's a trap. Adam says she can't trap ALL of them. [Oh no? Ever heard of fire on a boat? An explosion, maybe? Sea serpents? Greenlee?] Hayley, also showing unusual intelligence, actually puts her leather jacket on before they leave.

PINE VALLEY MALL

Erica rushes through the mall looking for Bianca. She HAS put on a coat, though. Bianca and Rain bounce back into the food court in front of them and Rain jokes about the small ring that now adorns Bianca's face like a semi-precious booger. Erica sighs her name in relief and rushes over. Bianca does NOT look pleased and asks what she's doing there. Erica notices the nose-ring and, horrified demands to know what she's done to her BEAUTIFUL FACE! Bianca stutters. Rain: "Hey, what about mine?" Erica says she MUTILATED her daughter! Jack chimes in that he doesn't want to be a hypocrite with his tattoos, but he wasn't 16 at the time and there's a little thing called Parental Consent which the store should know about! Bianca laughs tells them it's okay and she pulls the clip-on nose-ring off. She says she didn't do anything, so there's no reason to get freaked out. Erica begs to differ, since she stayed out all night and cut school with this, this MALL RAT! Bianca says they've just been hanging out. Erica says she knows Rain sleeps on the street -- did Bianca do that? Bianca says no, she just couldn't deal with school today and wanted to spend some time alone. Erica points out that she WASN'T alone, she was with this-- Erica turns to Rain and says: "And YOU! You are OUT of my daughter's life -- for GOOD -- effective yesterday! DO YOU UNDERSTAND? You are never to come near my daughter again!" Erica hauls Bianca (who is wearing her "GAAA!!" face, away. Rain cheerily says: "Later, Bianca!" Jack turns to her and tells her that, considering what just happened, he thinks the possibility of "later" is pretty slim. She puts on her "Damn!" face and turns away as he leaves. [I wonder how her green jacket stays so pristinely clean and pressed]

BACK AT ERICA'S HOUSE

Bianca slams Erica for being so mean to Rain. Erica says Rain encourages Bianca to do irresponsible and dangerous things! Bianca puts on her "GAA!!" face again, makes that thwucking sound with her tongue and teeth and turns to Jack for assistance. He holds up his hand and says he doesn't think she should stay out all night or stay out of school all day to shop for a nose-ring! Bianca spits back that RAIN gets along just FINE! Erica says she doesn't CARE about Rain. Bianca: "I KNOW!" Erica says Jack had to file a missing person's report and he says he now has to cancel it -- she stayed out all night and they love her too much to be casual about this! Bianca: "All right, all right! But I'm not six years old -- I can take care of myself!" Erica: "Oh really? Panhandling? Sleeping in the streets? Telling anyone who'll listen that your a sixteen-year-old lesbian?" Bianca: "A-HA! THAT'S what this is about, isn't it!" Erica insists it is not and that, to quote Bianca, she is "SO GROUNDED" that it's not even funny. Bianca nastily says "Surprise, surprise!" and runs to her room in a huff. Jack rubs the bridge of his nose and Erica paces in frustration. She's rails on about how Bianca is acting. Jack tells her she just has to be patient. Erica: "WHAT? She's becoming a MONSTER!" [Welcome to hell, Erica] Jack says that every parent, God willing, eventually has a teenager and hers just happens to be a little more inventive [I haven't seen any evidence of that yet -- except for the lesbian part, she's been pretty run-of-the-mill, actually]. Jack ushers her to the kitchen and says he'll make her a cup of tea. She snidely asks if he doesn't have anything stronger than tea [it's YOUR house, Erica, you tell HIM]

Bianca sneaks down the stairs and opens the door. She had heard Rain throwing pebbles at the window. Rain tells her she has to bolt -- TONIGHT! She can't do the shelter scene anymore, it's too cold to sleep on the street, and the security guard at the mall tossed her out. She has to rail it now, but she wanted to say goodbye. Bianca says she can't do that. Rain says normally she just leaves. Bianca: "I thought you said the railcar thing was DANGEROUS!" Rain: "I'll handle it." Bianca says "No WAY!" and pulls her inside, saying she'll stay there. Rain balks at Erica's imminent reaction. Bianca says the place has, like, 200 bedrooms-- she's staying the night, and that's IT!

PINE VALLEY MALL

Tad and the boys walk into the food court as Jamie tells him about Junior pushing David Hayward off the barstool. Junior says he TOLD Jamie not to say anything. Tad is perplexed and wants to know why Junior wouldn't want him to know. Junior says he was afraid Tad would get mad -- Mom, too. Tad reluctantly says he guesses this is the part where he's supposed to say getting physical to get even isn't a very good idea. Junior brightens and says he did good, though, didn't he? Tad barely stifles a grin and says yes. HOWEVER, he doesn't want him going anywhere NEAR David Hayward again -- if he gets mad, come to Tad with it. Junior agrees. Tad says that, in the meantime, they should use their energies to make things right back at home. He's not making any promises, but anything is possible. They leave to hit the slopes.

THE PIT

Dixie walks in rubbing her arms (but her nipples are completely non-erect, despite the freezing temperatures and a soft-cup bra). Bud asks if she's okay and the waitress asks where her coat is. She says her car got skidded off the road. He wonders if it's that one in the ditch outside [no, it's in the ditch INside]. the waitress wonders if they should call a tow-truck. Bud says they can try, but he thinks she'll probably have to stay there until "this thing is over" (more foreshadowing of the storm and it's consequences [maybe a giant wave will swamp The Fidelity!] Bud offers her a drink and she requests coffee. As she sits and stares out into the storm, David Hayward walks up and rubs her shoulder, asking if he can help. She looks up at him, gulping in pain. Adam's PI, Duffy, walks in. Bud spies him (so to speak) and asks if he's still looking for Arlene. He says she's was going to some boat, the Fidelity. She makes him nuts! She's there now and has a red coat. Duffy remembers Adam saying: "I need you to find Arlene before the police find her. The change of plan is this: I never want to see her face again." He thanks Bud and walks out.

THE FIDELITY

Hayley, Mateo, Adam, Liza and Marian walk in with trepidation. Adam asks what the devil Palmer is doing there (with Vanessa). Palmer says Adam's ex-wife sent them a note telling them to meet her there at 8pm if they wanted to get Vanessa's necklace back. Hayley says she sent them ALL notes -- what she wants to know is WHY. "GOOD QUESTION" says our intrepid Lt. Frye as he walks in, "it's not every day you get a handwritten invitation to a confession." Adam demands to know what he's talking about. Derek reads the note: "'Come to the Fidelity at 8pm if you want to see the guilty punished' -- don't all speak at once!" Vanessa and Palmer look perplexed -- the Chandlers and Santos's all look sideways at each other like a PV crowd at a wedding when the preacher asks if there's any reason why a couple shouldn't get married.

ON THE NEXT ALL MY CHILDREN

David whispers to Dixie that she needs him as much as he needs her. He grabs her and kisses her. She kisses back.

On deck, Vanessa walks up to a blonde in a red coat and jerks her around, exclaiming: "There you are, you THIEVING TRAMP! Honestly!" She is surprised to see that it's Hayley.

Jake shrugs and tells Gillian she's pregnant. Gillian looks flummoxed.

Irreverently submitted,

Robin "flummoxed: another cool word" Coutellier

2001: BC - Thu, 1/25/01

Thursday seems to be a day of foreshadowing:
  • Bud tells Haylene that it's icy outside.
  • Tad and the boys are going on a skiing trip
  • Tad wants to take the 4x4 and Dixie says the roads will be less icy in the morning.
  • Dixie's car ends up in a ditch that is conveniently located outside The Pit. She's not wearing a coat and Bud tells her that she'll probably have to wait "it" (presumably a storm) out.
Methinks an accident involving icy roads is imminent, not to mention a snowed-in incident.

Looks like the pregnancy breast-fairy has visited Hayley -- she was positively jiggling today. Hey, she was wearing a low-cut top, how could we MISS it?

Robin "who also jiggles" Coutellier

2001: BC - Tue-Wed, 1/23-24/01

I don't know if I was too distracted (I played FreeCell throughout both episodes) or if the shows were just THAT boring and predictable, but I really didn't see anything particularly interesting. Off the top of my head, the following uneventful and totally predictable events happened
  • Tad punched David -- again.
  • Gillian fainted -- most of us figured out the pregnancy/whose-baby-is-it angle the split-second there was any hint of romance with Jake that would form a triangle with Ryan.
  • People keep wandering around the yacht on the slightest whim.
  • Tad is scamming Leslie to get information about David.
  • Greenlee snubbed everyone and managed to get Leo to succumb to her charms, at least to a degree.
  • Laura keeps making bedroom-eyes at Leo, then whining about her unworthiness, then coming on to him again. Passive-aggressive little bitch.
  • Ryan keeps calling Gillian "Princess" and they coo sweet nothings (and I DO mean NOTHINGS) to each other at every conceivable (and INconceivable) opportunity.
  • Yet another live WAVE show has a sordid event. Why doesn't Hayley just give it up and rename it the Jerry Springer In Drag Show? And deciding at the drop of a heavily-scented scarf to do a LIVE one-hour show interviewing an author about how to handle guilt, without consulting anyone? Oh PUHLEASE!
  • Derek pops even more blood vessels and continues to have frighteningly comical misfires of the nerves controlling his facial muscles while barging into Adam's house to try to get information -- his efforts are fruitless, as usual.
Nice touches:
  • Junior threatening David about Dixie.
  • Gordon in his gorilla suit -) Predictable He TOLD David he was going to turn state's evidence. For someone who is supposed to be REALLY smart, this guy is missing a couple of marbles in the common sense dept. (I like him, though -- I wonder if they'll eventually pair him up with Phil Lacy)
  • I DO like it when Greenlee and Gillian tangle these days.
  •  Despite Greenlee's complete inability to comprehend and sustain any kind of relationship due to her utter lack of parental love and caring, I have to feel a little for her when Leo constantly brings up her father issues. Don't you HATE it when someone knows something (or THINK they know something) about your deepest insecurities, and then turns around and uses it against you?
  • I really like seeing Hayley becoming Arlene. I get SOOOO tired of Hayley's whining and self-pity and her ever-in-peril sobriety. Like Arlene, she's INTERESTING to watch when she adopts the same mannerisms. Oh, and those WERE stunt legs we saw a couple of weeks before. They've only been Kelly Ripa's legs since about last Friday.
Robin "on the next AMC, Haylene rides the mechanical bull in a baby-doll nightie (both Haylene AND the bull wear the nighties)" Coutellier

2001: BC - Mon, 1/22/01

Either Lt. Frye has NO idea what day (or night) it is, or the Chandler living room is in a different dimension where it is the next day. Gillian just took off work early (actually, Ryan picked her up and carried her out 10 minutes early) and Hayley is still at the bar with Bud, but Derek, who went directly from the condo-o-candles to Adam's house, thinks it happened "last night".

How can Hayley spin around like that and still keep her purse over her shoulder? Is it on a hook or something?

At LAST a realistic pregnancy on AMC (so far) -- Gillian is sick, which, of course, means she's pregnant with either Jake or Ryan's baby. The astonishing part is that she did NOT get sick 2-7 days after conception, which is what usually happens on AMC. She should be nearly 2 months along now. I loved it when she said it was either from working hard all day or because his love makes her positively [nauseous? said Robin] dizzy.

Wouldn't Hayley be REEKING of cigarette smoke after spending all that time at The Pit? Somehow, I don't see The Pit as a non- smoking bar.

Robin "who can always tell when someone has stepped out for a smoke" Coutellier

Saturday, February 26, 2011

2001: Detailed Friday Update, 1/19/01

PREVIOUSLY ON AMC

Bianca to Erica (psychiatrist is also in the room): "TELL HER how you feel about having a gay daughter -- TELL HER!!" Erica: "I've never been so frightened of anything in my life!"

Ryan: "I'm giving you that wedding I promised." Gillian: "I could get married in Las Vegas in one of those Elvis places and still be the happiest woman in the world!"

Mateo reads a note next to Hayley, presumably left by Arlene. The note reads: "I am as close as your next breath. I can get to you whenever I want." Mateo: "Oh, my God!"

VALLEY INN BAR AND GRILL

Ryan is on the phone with one of his investors (Stan) and is finding out that it will take $10K to get in on a money-making scheme. Gillian only hears the fringes as she picks up menus and smiles at him. Ryan tells Stan he's in and to meet him at the Valley Inn Bar in 1/2 hour. Ryan tells him that it's better that they keep Gillian in the dark on this [then why aren't you meeting at BJs or something?]

Leo walks in and is surprised to see Gillian working there. She informs him that she's already made $3 in tips! He jokes about it and Ryan says it's mad money. Leo tells her that means it can be spent in a madcap way. She says it's going straight into a savings account where it can confound interest. Ryan corrects her and interjects that his own bank statement is pretty darn confounding. Leo then hands Ryan some faxes and Gillian gets back to work. Leo says he guesses he can't ask for an advance on his salary for a while then. Ryan points out that Leo has a LOT of money since Greenlee bought out his half of the loft. [Huh? Exactly how much money did Leo put into it in the first place? Hmmm, let's see ... multiply by ... carry the 2 ... equals ... NOTHING!] A light bulb turns on over Ryan's head and he asks Leo if he'd like to see that money work for him -- he just got a hot tip on an investment.

Before Leo can answer, Adam interrupts and asks the same question many of us were asking, namely, is Ryan putting in a 1/2 day? Why isn't he on the yacht conducting business? Ryan says he's meeting a client. Adam scoffs at the idea of Leo being a client. Ryan says that Leo is his new assistant. Adam doesn't quite believe it. Leo says he has great people skills and orders Adam to welcome him aboard. Adam asks what kind of scam Leo is trying to pull this time.

Adam says he'd rather gargle glass than have Leo on his payroll. Leo holds out a glass and asks "Straight up on on the rocks?" Ryan snickers. Adam says the last time Leo worked for him, it was a disaster. Leo says it was no picnic for him, either, having to hurt Stuart and Marian. Besides, he doesn't work for Adam, he works for Ryan. Ryan says Leo gets things done -- he's already got the computer network up and running and processing requests faster than they can fill them. Adam says HE's the one who signs the paychecks. Leo promptly pipes in: "You know, I'm glad you brought that up. Since I've proved myself indispensable, I think it's time we talked salary. I was thinking something high five figures with full bennies, of course -- retirement, pension plan, you know." Adam turns to Ryan and says this is the reason his business was in the tank when he took it over. Ryan points out that Adam didn't "take it over", he SOLD it to him, and if he didn't micro-manage every move they make, they might actually be able to get something DONE. Adam gives him until the end of the quarter to get the company in the black or they'll BOTH be out on their butts and he'll get some Silicon Valley guys to take over [they'll be available, too, since we won't have any electricity, so gas can't be pumped to the trucks to take it to the gas stations, whose pumps won't be working to pump it into the vehicles, which will all be stuck at intersections with non-working lights, trying to get to non-existent jobs because no companies will have electricity to run the lights, computers, door locks, telephones, etc. Without gas to power the trucks to bring food to the markets, where it will rot without refrigeration anyway, not to mention skyrocketing prices that we can't pay, in any case, since cash registers won't work, we'll all starve. Look for us to be moving to YOUR state soon. That won't make a lot of difference, though, since the collapse of the California economy will cause the entire US to sink into a depression. Sorry -- I think too much.].

As Greenlee walks in and Adam stalks out, Ryan vows he will NOT lose his company to that man [too late]! Ryan vents to Leo about Adam and Leo tells him he's preaching to the choir. Greenlee's head swivels to them, then over to Gillian waiting on tables. As Gillian strides by her, Greenlee tosses ice on the floor, which causes Gillian to slip. Greenlee grins.

Ryan and Leo help Gillian to pick up the mess on the floor. Leo notices Greenlee and suggests a connection, but Gillian insists she just wasn't looking where she was going. Gillian asks about Adam and Ryan brushes it off as Adam just getting off on power plays. Leo goes over to Greenlee and asks what's she's doing. She says it's a bar and she wants a drink if she can get anyone to wait on her -- it's so hard to get decent help these days. Ryan comes over and asks what she's doing there. Leo: "She's thirsty." Greenlee says she's surrounded by her two favorite men -- she feels like Scarlett O'Hara at the Twelve Oaks barbeque. Ryan says maybe they'll get lucky and someone will start a war. She says she thought Adam just did that. Then she starts in about Gillian being forced to work as a barmaid. Ryan corrects her -- Gillian is a WAITRESS. Leo bends down to her, picks up an olive-spearer and says: "Greenlee, think of something to do with this little plastic swordy thingy-dingy, ok?" He and Ryan walk out, leaving Gillian at Greenlee's mercy.

Outside the bar, Ryan and Leo discuss the investment opportunity -- Ryan is sure enough about it to invest $10k he doesn't even have -- does Leo want in? Leo: "Well, I'm a sucker for two things -- fast women and easy wom-- I mean easy money." They power-shake.

Later, Ryan walks in with Stan Berringer and introduces him to Leo. Stan sizes Leo up and asks if he's a player. Leo thinks for a second as he chomps peanuts and then says he likes the odds. Stan says he'll increase his seed money by tenfold. Leo hands Stan an envelope with $25K and Ryan hands him one with $10K. No paperwork is involved, apparently. Stan says he'll give it to their investor and get in touch in a couple of days. Stan leaves. Ryan tells Leo he is a TRUE bull-artist. Leo says in a couple of days he'll be a true bull-artist with a big, fat wallet. Gillian walks up and asks what was in the envelopes. Leo says that was their cash and pops more nuts into his mouth. Ryan signals over Gillian's head that it was the wrong answer and Leo smoothly continues after swallowing: "Analysis of the advertising rates for ID.com."

Greenlee suddenly starts bellowing: "Hey, you! WAITRESS! I need some SERVICE over here!" They all turn in her direction. Gillian takes a big, annoyed breath and marches over, exhaling loudly before saying: "Is there a problem?" Greenlee viciously snarls: "I ordered a White Russian! This is a Rusty Nail! I demand to see the manager!" Gillian's jaw works and she briefly looks away.

In the meantime, Leo asks if there's a reason why Ryan doesn't want Gillian to know about the deal. For that matter, should HE be worried about it. Ryan says she's just a worrier and he'll tell her later.

The manager has appeared at Greenlee's table and asks Greenlee if there is a problem. Greenlee rags on how Gillian is doing SERIOUS damage to the bar's reputation, bringing the wrong drinks and then getting her grubby fingerprints all over the glass. Gillian points out that they are HER grubby fingerprints. Greenlee leaps on that: "Do you hear the way she speaks to me? How could you tolerate such insubordination?" Man: "Gillian, Ms. Smythe is a highly valued patron of this establishment [apparently he's never seen or heard of Gillian or Dimitri or any of Dimitri's family]. One more incident like this, and you will be terminated!" He tells Greenlee her drinks are on the house and he walks away. Greenlee is happy, giving a smug head tilt ala Marcia Brady. Leo has hovered over the scene and walks to the bar to pick up a Bloody Mary as Gillian asks Greenlee if she's satisfied now. Greenlee says no, but she'll have another drink. She tells her to take that one away and bring her a Bloody Mary. Gillian walks away. Leo pretends to walk past Greenlee's table toward something else, then whirls and "accidentally" spills the drink all over Greenlee and her nice white top. She jumps up shrieking at him and calling him an idiot. Leo: "Oh, I'm sorry! Did you want celery with that -- I'm sorry -- or a twist?" You can hear Gillian laughing at her, not unlike when she fell, all oiled up, in the sand on the beach last summer. Gillian and Ryan continue to laugh, with him putting his arm around her. Leo smiles and sticks his tongue out at Greenlee, giving her nyah, nyah gestures.

ERICA'S HOUSE

[As with most scenes involving Erica and Bianca these days, I rely heavily on quotes because most of it is too good to summarize.]

Bianca asks if Erica is afraid of her. Erica says no, she's afraid of losing her! They are shown in profile, and Erica looks like a stick figure standing next to Bianca. The shrink, Pamela Trent, says it's not easy to admit our fears, but it's a major step toward resolving conflict. Bianca doesn't know what to say. Erica says to tell her she's not going to lose her. Bianca asks how she can even say that -- she's loved her her whole life -- her feelings haven't changed because she told her she was gay! Bianca: "But YOURS have." Erica: "That's not true!" Bianca: "Mom, you're angry with me ALL the time! You can't even stand to look at me!" Dr. Trent: "Erica, how do you feel about what Bianca just said?" Erica: "How do I feel? Well, when every dream you've had for your little girl vanishes -- it's decided. I mean, it's done. It's out of my hands. I don't think that my feelings count here." Bianca: "Mom, they matter to me!" Erica: "Bianca, you made an announcement that altered our lives. I know that you say that nothing has changed and that it's not about me, but I'm your mother and I am affected by your actions, your words, the choices you make for yourself. And our life is NOT the same -- from the silence at the breakfast table to the awkward kisses good night. And every time you go into your bedroom at night and close the door, I can feel that I'm losing you! And the break between us widens day by day, fight by fight. I'm losing you to a world I can't even begin to comprehend!" Bianca: "Have you ever reached for MY hand across the breakfast table? When I kiss you good night, YOU'RE the one who turns away! When I close the door behind me, I'M the one who cries myself to sleep at night because I miss you SO MUCH! And I pray that you will come into my room and that you will hold me and that you will tell me that everything is ok, that you still love me the way you used to!" Erica: "Of course I do! Of course I still love you the way I did! And how could I do those things, Bianca, when you shut me out?" Bianca: "Mom, I'm still here! I'm still here!" Erica: "But it's not the same. We're not close. Not the way we were." Bianca: "Because you keep pushing me to change, Mom! You're pushing me right out of your life!"

Erica: "How could I push you out of my life? You ARE my life!" Bianca: "I can't be that either, Mom. I can't be what you want me to be." Erica: "Can you understand that I've had dreams for you and plans for you ever since I can remember? Things for us to do together, mother-daughter things." Bianca: "Mom, we can still do mother-daughter things. We can - - we can go shopping and riding. We can go to movies together." Erica (sniffling now): "We certainly wouldn't be shopping for the same things. I mean, we'll never shop for a trousseau together. We'll never spend a day at Lacy's together picking out a china pattern or -- or a wedding dress." Bianca: "Well, what if I meet the right girl and we fall in love and we decide that we want to spend the rest of our lives together? You can help us set up our house. You can help us pick out the silver and the linen --" Erica: "It would not be the same thing." Bianca: "Why not?" Erica: "Because." Bianca: "Because why? I think I know why. It's the same reason that you don't have any close girlfriends." Erica: "What? What are you talking about?" Bianca: "You -- you turn to men mainly when you need somebody to talk to, when you need a shoulder to cry on." Uncle Jack and Dimitri, David -- I don't think that you trust women the same way that you do men." Erica: "Dr. Trent, Bianca has seen me hurt many times." Bianca: "What does that tell you about yourself, Mom?" Erica: "That it takes a great deal of courage to give your heart to a man and risk that it might be broken." Dr. Trent: "Is that what you meant when you said that you felt like this was your fault?" Erica: "Dr. Trent, this session is not about me or my quote/unquote problems with men." Dr. Trent: "On the contrary. It's very much about you." Bianca looks at Erica. Erica stares a little, then looks away.

Erica walks over to Dr. Trent and says she may have a less-than-perfect track record with men, but that really has nothing to do with the situation at hand and she has NO problem attracting members of the opposite sex! Bianca looks down and sighs. Her face falls and she starts to walk away, knowing that this discussion is futile. The doctor tells Erica that she understands she has a hard time keeping the relationships together. Erica: "Well, it is hardly MY fault if the men I choose don't live up to my expectations!" Dr. Trent: "Perhaps you set your expectations too high." Erica: "Well, *I* have no trouble living up to them!" Bianca whirls and says: "But Daddy couldn't -- and *I* can't either! Erica says that Bianca was scarred deeply by watching their marriage disintegrate and that's why she's now afraid to commit to a man. Bianca says that is SO not true! Erica condescendingly says she thinks she hit a nerve or Bianca wouldn't be so defensive. Bianca: "I HAVE to defend myself, Mom -- you WON'T!" Erica: "Bianca, if you would just hear me out, then maybe you would understand." The doctor tells Erica to LISTEN to what her daughter is trying to tell her. Erica lashes out: "I have done nothing BUT! But so far I haven't heard one thing that makes any sense!" Dr. Trent: "The objective of family therapy is --" Erica: "Is for the THERAPIST to remain OBJECTIVE! Now, it is clear to me, Dr. Trent, that you are taking my daughter's side against me!" Bianca watches her, any slight hope of progress slipping away. Dr. Trent: "I'm sorry you see it that way." Erica: "I'm sorry you wasted our time!" The doctor tells Bianca to give her a call if they want to give it another chance, and Erica shows her the door. Erica firmly closes the door, shaking her head is disgust as she re-enters the living room. Bianca says family therapy didn't work -- now what do they do? Erica stares.

Erica mutters that she thought Dr. Trent would be more helpful. Bianca says she's tired and she doesn't want to fight with her anymore. Erica: "We don't have to fight, Bianca. If only you'd keep an open mind!" Bianca: "ME? Mom, I walked into an AMBUSH tonight. You spring this therapist on me without giving me ANY notice or asking my permission! It's like what you did when I was little, remember? You told me that we were going to a carnival, and instead you took me to the hospital to take my tonsils out!" Erica: "Oh, Bianca, because I didn't want you to be afraid. I was trying to soften life's rough edges for you." Bianca: "That is not your job, Mom. Your job is to love me and to give me direction, not take over my life and play amateur therapist!" Erica: "Fine. What we have to do is we have to find another therapist, one who has the proper qualifications." Bianca: "You mean someone who is going to tell you exactly what YOU want to hear! Mom, save yourself the money. Get a ventriloquist's dummy and sit it on your knee!" Erica: "That is NOT funny, Bianca." Bianca: "Do you see me laughing? [*I* laughed] Mom, I HATE the way we act around each other!" Erica: "So do I." [There is a standoff moment here, like when my former sweetie and I were discussing soaps. I said they were like books that never ended. He said "Exactly!" I said "Exactly!", but we had different viewpoints.] Bianca: "Did you mean what you said, you know, about me going back to modeling for the Enchantment campaign?" Erica, sincerely: "Of COURSE I did. I'll tell Shannon that you changed your mind. But, look, I want to be perfectly straight with you (she blanches a little at the gaffe). I mean I want you to know exactly what you're in for. We're going to do a lot of P.R. And since Donald Steele's big expose in the press, I mean, obviously the press is going to be asking you a lot of questions about your personal life, so -- so we'll rehearse, and then you'll be ready with the right answers." Bianca: "'The right answers.' You mean that you want me to lie about myself. I will pass. You tell Shannon knock herself out. I'm going to bed." Erica: "Oh, Bianca, please! PLEASE! Oh!"

THE SANTOS CONDO-O-LUV/DEATH TRAP/CANDLE WAREHOUSE


Hayley sits up and reads the note, then gets up to walk across the bedroom. Mateo turns on the lights [you can douse those 500 or so candles now -- how do these people breathe with all that waxy smoke? Don't their smoke alarms ever go off?] Hayley says Arlene is trying to make her confess. Mateo mentions Tina, who enters the room on queue, rubbing her sore head where she had been knocked out. Hayley rushes to get info from her, but Tina doesn't remember. Tina asks where all the candles came from. [Hayley: "Our spare bedroom is filled to the rafters."] Tina helpfully points out that the room looks like a shrine for the dead. Mateo says they should go to the hospital to get her head checked out. Tina picks up the phone to call the police instead and Mateo, ever mindful of her possible concussion, roughly yanks the phone away, whipping her around in the process. He says she doesn't want to do that. Hayley gapes and Tina looks confused.

Tina asks if he's already called the cops and he says he doesn't want to get them involved in it. Tina protests that someone knocked her over the head and turned the place into a creepshow! [TURNED it into one?] Hayley nervously says maybe Tina is right -- maybe they should call ... wait for it ... DEREK! Mateo says they should think about it while they take Tina to the hospital. Tina is frustrated and says that's not necessary, she'll just take some aspirin and have Jake check her out when she goes to work tomorrow. They need to report this. Hayley starts rocking back and forth and moaning/whining that she wishes this was just a dream and that somebody would wake her up! Tina says she knows they think this was Arlene's doing, but Hayley has her own TV show -- what if she's being stalked by some nut job? Hayley: "Arlene IS some nut job!" Mateo says that's why he's going to take her to someplace safe -- Adam's house, where they have recently beefed-up security. [BWAHAHAHAAAA!!! Didn't they JUST leave there after "Arlene" put that sentimental ashtray in Colby's crib? That place is as secure as a house of cards!] Hayley says it's NOT safe there -- she can get to her there if she wants to. Tina is still on her cop shtick and Mateo tells Tina to GO TO HER ROOM [I kid you not] -- go back to her condo and lock the door and forget about what's going on over here. He's NOT calling the cops. Hayley pathetically apologizes to Tina for getting hurt and moans that it's all her fault -- everything is all her fault! Mateo hands Hayley her jacket and drags her out, asking Tina to put out the rest of the candles. They leave. Tina blows out 3 candles, then picks up the phone to report a break-in.

ADAM'S HOUSE

Mateo and Hayley sulk in and Winnifred explains that Liza is down at the gatehouse. Hayley appears to be clutching a pink security blankie. Winnifred offers tea, etc., but Mateo brushes her off. They go into the living room and Hayley demands to know why he's trying to get rid of Winnifred. Does he suspect the staff let Arlene in? She insists they are loyal to her father to a fault. Mateo says they all hate Arlene, too. She then shifts gears and asks what happened at the bar. He tells her about Arlene paying some guy to lure him there. Hayley says it's another way for Arlene to come between them and she can't shake this feeling that she is EVERYWHERE, watching them. Maybe they SHOULD call the police. Adam walks in and asks why, what's happened now? [Why didn't they hear the front door? It's only a few feet away.] Mateo does that weird jaw/lip maneuver that he's so fond of lately and says that Arlene has struck again.

Mateo explains what happened at their candle-infested condo and shows him the note. Adam keeps blustering about how do they know it's Arlene. Mateo says Hayley says it is her mom's handwriting and the same as on the note found in the crib. Hayley: "Yeah, I used to have this cat named Comet [Hayley's Comet -- Charlie Brent gave it to her] who got this mouse once and was, like, batting the mouse around. And sometimes the mouse would get away and the cat would let it think it was escaping, and then the cat would pounce on it again. And that's what I feel like I am. I feel like I'm the mouse waiting to be pounced on by the cat, and I just -- I can't take it anymore. I really can't." Mateo says he won't let Arlene do this to her [you haven't stopped her yet, dickweed]. Hayley says it's too late -- she's everywhere. He says that it's NOT a ghost -- if it really IS Arlene, then she'll trip up and they'll catch her. Hayley says that then she'll go to the police and it will be all over, which is why SHE has to go to them first. Derek already knows something's up. Adam says they've already ruled that out. Besides he's had the locks changed (he hands them both a new set). He's already hired a PI. Hayley says it won't matter, because Arlene will find a way. The doorbell rings and Adam goes to get it, assuming it's the new PI, Duffy Olifant (and it is). He introduces them and says Duffy has done work for him in the past and is very discreet. Duffy says he's up to speed -- is there anything they'd like to add? Hayley: "Are you a married man?" He says yes and she tells him to watch is back -- Arlene's favorite prey is married men. There's an uncomfortable moment [is there any other kind in that house?], and Adam says Duffy will be keeping an eye on Hayley, too, from a distance. Duffy asks about her schedule. Hayley looks like she's going to puke and excuses herself to go upstairs. Mateo will fill him in on the schedule when comes back downstairs. Adam gives Duffy a picture of Arlene. Duffy thinks she's a good-looking broad and Adam agrees -- she's a part-time party girl and part-time black widow -- she's lethal.

When Mateo comes back down, Duffy says he'll start at the bar where the guy saw Arlene. They walk him out. Adam walks Mateo back into the living room, arm around his shoulders, assuring him that Duffy is a good man and will take care of it. Mateo says Hayley is a wreck. It's out of hand -- maybe they SHOULD call the police. Adam yells "NO!!" Hayley will spill and confess to murder before they even read her her rights. If the cops find Arlene before they do, she'll damn Hayley to hell with her sob story. Mateo says to let her talk -- it will at least prove Hayley didn't kill her! Adam says there would still be a trial -- does Mateo really want Hayley to go through that? Mateo says Adam has the best lawyers who will convince them there were extenuating circumstances -- it can't be any worse than what Hayley is going through right now! He says Arlene has proven that she can get close to all of them, even Colby. Is he willing to put his daughters at risk? Adam stares with his mouth open.

Adam says he would DIE before he puts his daughters at risk. Mateo tells him to be careful what he wishes for, blah, blah, blah. Adam says Arlene wants money. Mateo says she would have shown up a lot sooner if that was the case -- she has a score to settle with Hayley. Adam insists he'll have his P.I. find her, pay her off, then he'll have his private jet fly her off half-way around the world. Mateo says if he doesn't, he's calling the cops. On cue, the doorbell rings. Adam opens it [all that beefed up security and not a peephole in sight] and Derek barrels in, saying they need to talk. He goes into the living room, says Tina told him what happened a the condo, and demands that Mateo tell him what's going on between him, Hayley and Arlene Vaughn. Mateo works his jaw.

CONDO-O-WAX

Tina and Derek walk into Hayley and Mateo's bedroom. Tina says H&M didn't want to bring the police in, but something in there is SO not right! He asks if they gave her a reason for not bringing the police in. [If Derek KNOWS H&M don't want to report anything, why is he still there asking questions?] Tina points out the trashed living room. Tina goes to get something to show him and he wanders around actually opens the NIGHTSTAND DRAWER! She runs back in, saying: "It's GONE!" Turns out she's talking about the doll with the noose. She blabbers about how she wanted to call the police but Hayley didn't want to, saying she deserved it. It comes out that Arlene is suspected of doing all these things, and Derek busily writes this down. Tina says Arlene is back with a vengence and Hayley is completely undone. Derek thinks very, very hard, appearing to be working on the square root of PI.

ERICA'S HOUSE

Erica is leafing through a photo album, lost in reminiscing over Bianca as a little girl. Bianca walks into the room, carrying a suitcase. Erica doesn't look up, but tells Bianca to look -- she found a photo album with pictures of Bianca's first dance recital! She gushes about the polka-dot dress and how much Bianca loved it and how she probably still has the dress somewhere! Bianca stares at her, stone-faced. Erica finally looks up and sees Bianca dressed to leave and carrying the suitcase. Erica gets up and asks what that stuff is. Bianca says she's leaving. Erica asks if this is another joke or test! The audio and video gets wobbly and it becomes clear that this is a dream. Bianca: "It's the story of your LIFE, Mom! You just can't keep people around. You FORCE them out of your life!" She goes over to a desk where there are photos of many of Erica's men (7 in all) and turns them over, one by one: "Your dad, my dad, Uncle Jack -- all the men that you say you loved." Erica: "I did love them! Bianca, I loved them with all my heart!" Bianca: "But they couldn't love you back, Mom. You made it IMPOSSIBLE! You expect too much, and you give back FAR too little. You're a FAILURE as a woman and as a mother!" Erica: "Bianca, no! You don't mean that!" Bianca: "I mean every word! I wish to GOD that I weren't your daughter! She runs out of the house. Erica yells: "Bianca! Come back! PLEASE DON'T LEAVE!!!" The camera shows Erica's hands on the photo album and pans up to show her sleeping fitfully on the couch.

In reality, Bianca enters the living room and checks out her mother sleeping. She kneels down and look s at her with pain and love on her face. She reaches out to Erica to touch her hair or face, but before she can make contact, Erica starts mewing and tossing, begging Bianca not to leave her. Bianca gets up, picks up her jacket and walks out.

Rain is waiting for Bianca on the porch. Bianca thanks her for waiting and Rain says she's glad Erica didn't wake up when she tossed the rocks at Bianca's window. Bianca is really glad she came by. Rain asks if she and her mom went another ten rounds and Bianca says she's RELENTLESS and wont' be happy until Bianca comes home with a hunk on either arm! Rain says she can't help her there, but if she's up for some mindless fun, she's her girl. Bianca looks back at the house, then says: "Yeah, let's go!" They trot off.

THE PIT

Duffy shows Arlene's picture around. He asks Bud (the guy who scammed Mateo) about her and hands him his card. Duffy walks out and the guy crumples the card, tossing it over his shoulder. The camera shows a pair of half-booted legs traipsing in. This time the legs are skinnier than before. Bud hails "Arlene" and asks if she's going to save him a dance. The boots stop momentarily at this, then walk over to the bar to stand flirtatiously next to a pair of jeans (not Bud's). More and more leg is shown as she tuns and walks away from the bar. Bud tosses back a drink, sets it down and does a macho setting-himself-to-rights move before moving across the room with a look of lust on his face. The booted legs slowly and seductively meet his booted legs in the middle of the room and they start dancing. The camera pans higher and higher, finally showing the red velveteen miniskirt, the purse on the long gold-plated chain, and a tight top, finally stopping to show Hayley dancing with Bud. With a deeper voice than usual, she says: "Come on, Sweetie, put some MUSCLE into it! You KNOW what muscle *I'M* talkin' about!" She gives a throaty laugh and he joins in as the camera pans up and back.

ON THE NEXT AMC:

Hayley has her head tilted WAAAAY back as she looks lazily and seductively at Bud, who says: "What are we hanging around THIS dump for?"

Ryan: "Tell me right now what it is, what you want, and I will give it to you." Gillian flirts: "You're in for a surprise!"

David to a grim-mouthed Dixie: "Tad will never love you the way that I do. Just give me a chance to prove it."

Junior looks down, hurt, and asks Tad: "Are you going to leave us?" Tad looks grim indeed.

Irreverently submitted,

Robin "gee, who ever would have thought it would be Hayley?" Coutellier